this seems to be very inteestning
I referred briefly to the essay titled The Politics of Play: Seeking adventure in a risk-averse society in last week’s exploration of The Curious Garden, but I think it merits some attention of its own. In the piece, Jay Griffith argues that unstructured and free play (something that is increasing rare nowadays) is vital for helping children grow up into mature, sustainable, and resilient individuals capable of exercising sound judgement. I would like to share a couple of choice quotes:
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That sounds interesting
Sometimes conversations make me laugh when they shouldn’t. Call it a weird sense of macabre humor.
I was having a conversation with a friend of mine who I’ve confided in about my eating disorder, one of those chatty, meandering, mostly pointless conversations that you’d have with any friend. I don’t remember exactly what she said, but at one point she looked at me, horrified, and gasped, “Oh my gosh, I’m so sorry! I hope I didn’t just trigger you!”
I looked at her and laughed. “Kid,” I said, “if I wanted to avoid everything that triggers me, I’d never be able to get out of bed in the morning. I deal.”
Like all dark humor, there’s truth to this. If I wanted to avoid everything that reminded me of my eating disorder or made me feel uncomfortable about my weight and my appearance, I’d have to invest in a lobotomy…
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One of the trickiest things about recovering from an eating disorder is that nasty progressive “-ing.” It’s one thing to be weight-restored, and I’m by no means belittling the time, work, and distress that accompanied my getting there. But unlike the flu or mono, there’s no clear-cut moment when you can say, “I’m recovered. I’m healthy now.” Or, if there is, I haven’t found it yet.
I’ve reached a point where I no longer need to worry about not weighing enough. Anorexia dominated my doctor’s appointments for at least the past five years, and it set the limits about what I could and couldn’t do. I couldn’t give blood. I couldn’t go out in public without a sweater, since the least amount of air conditioning left me freezing. I couldn’t experience one of the most basic signs of womanhood: my menstrual cycle. Now, it’s my body that decides these things…
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Literally translated as “mountain water”, Shan Shui is a specific style of Chinese landscape art that rose to prominence in the 5th century during the Liu Song Dynasty (wikipedia). In the depiction of pristine rivers, ethereal mists, and hallowed mountains, the artist’s ultimate goal is to capture the ch’i, or vital breath, of the world around them. This ch’i must be caught even at the expense of realism, for if the artist misses it, they have lost the very essence of the landscape. In this way, Shan Shui paintings are only expressions of art, but also provide insight into how the artist, influenced by culture and society, views the natural world.
I recently came across the work of a modern artist who sought to introduce modern human presence and impact into Shan Shui paintings. Commissioned by the China Environmental Protection Foundation, Yong Liang Yang utilizes…
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god pics and content
NO PAINTING SUMS UP the alienation and isolation of 21st century existence as does The Scream by Norwegian artist Edvard Munch. After Leonardo da Vinci’s Mona Lisa, it is the second most recognised painting in the world.
The idea came to Munch while walking in the wooded hills above old Oslo more than a century ago, following a bout of heavy drinking the previous evening.
“I was walking along the road with two friends. The sun set. I felt a great sadness. Suddenly the sky became blood red. I stopped, leaned against the railings, dead tired. And saw the flaming clouds as blood over the blue-black fjord and city. My friends walked on. I stood there trembling with angst. And I sensed a loud, unending scream pierce nature.”
Written shortly after his walk, the words that would eventually lead to the series of paintings and lithographs entitled Skrik (The Scream), contain…
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